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Art

Joeseph Holmes, manager of the Art Fabrication Space in Richards Hall, eyes a piece of furniture he’s constructing from recycled cedar in his studio adjacent to the woodworking shop in the basement of Richards Hall. July 7, 2023. Photo by Craig Chandler / University Communication.

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Reiger holds a copy of the book he co-authored, "Feeling Different." Sage Reiger, a videographer/editor with Nebraska Public Media, has synesthesia and his brain processes music as colors. He has produced artwork to show what he hears and written a book about his experiences. December 19, 2022. Photo by Craig Chandler / University Communication.

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Sage Reiger, a videographer/editor with Nebraska Public Media, has synesthesia and his brain processes music as colors. He has produced artwork to show what he hears. His musical artwork from left are: Bob Dylan’s Stuck Inside of Mobile with the Memphis Blues Again, Denzel Curry’s Melt Session #1, Porter Robinson’s Musician, Phil Collins’ In the Air Tonight and Injury Reserve’s Superman That. December 19, 2022. Photo by Craig Chandler / University Communication.

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Janelle Stevensen and Christian Wurst look over the Red sea, a painting by African American artist Felrath Hines, created in 1985. The painting was turned into a painted mural on the Antelope Park South Basketball Courts. The original painting is in the permanent collection of the Sheldon Art Museum. Hines (1913-1993) was a prolific expressionist and later geometric abstract painter based in New York and Washington, DC. September 27, 2022. Photo by Craig Chandler / University Communication.

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Student drawing a portrait on their tablet. Housing Photo Shoot in Able Sandoz Residence Hall. September 27, 2022. Photo by Craig Chandler / University Communication.

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Two South Antelope Park basketball courts have been painted into a giant mural. The mural design is based on a painting by African American artist Felrath Hines, entitled “Red Sea” created in 1985. The original painting is in the permanent collection of the Sheldon Art Museum. Hines (1913-1993) was a prolific expressionist and later geometric abstract painter based in New York and Washington, DC. September 26, 2022. Photo by Craig Chandler / University Communication.

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Two South Antelope Park basketball courts have been painted into a giant mural. The mural design is based on a painting by African American artist Felrath Hines, entitled “Red Sea” created in 1985. The original painting is in the permanent collection of the Sheldon Art Museum. Hines (1913-1993) was a prolific expressionist and later geometric abstract painter based in New York and Washington, DC. September 26, 2022. Photo by Craig Chandler / University Communication.

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Two South Antelope Park basketball courts have been painted into a giant mural. The mural design is based on a painting by African American artist Felrath Hines, entitled “Red Sea” created in 1985. The original painting is in the permanent collection of the Sheldon Art Museum. Hines (1913-1993) was a prolific expressionist and later geometric abstract painter based in New York and Washington, DC. September 26, 2022. Photo by Craig Chandler / University Communication.

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Artwork is diplayed on a table at Cedar Point Biological Station near Ogallala, Nebraska. July 19, 2021. Photo by Annie Albin / University Communication

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Sarah Kaizar participated in the Cedar Point artist-in-residence program to complete illustrations for a book project. Cedar Point Biological Station near Ogallala, Nebraska. July 19, 2021. Photo by Annie Albin / University Communication.

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Sarah Kaizar participated in the Cedar Point artist-in-residence program to complete illustrations for a book project. Cedar Point Biological Station near Ogallala, Nebraska. July 19, 2021. Photo by Annie Albin / University Communication.

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Sarah Kaizar participated in the Cedar Point artist-in-residence program to complete illustrations for a book project. Her artwork is displayed on a table at Cedar Point Biological Station near Ogallala, Nebraska. July 19, 2021. Photo by Annie Albin / University Communication.

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Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

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Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

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Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

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Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

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Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

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Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

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Grain Elevators across from Nebraska Innovation Campus. December 5, 2018. Photo by Craig Chandler / University Communication.

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Emma Lichtenfeld, a freshman from Lincoln, works on a clay bust in Richards Hall. January 31, 2018. Photo by Craig Chandler / University Communication.

Abby Birkel carries her submission, Meat 2, into the exhibit hall to be judged for an undergraduate art show in Richards Hall. January 31, 2018. Photo by Craig Chandler / University Communication.

Lindsey Pinkerton, right, and Abby Birkel chat while waiting to check in their submissions to be judged for an undergraduate art show in Richards Hall. January 31, 2018. Photo by Craig Chandler / University Communication.

Larisa Epp has had the same backpack for all four years here at UNL and has decorated it during her time. Epp is a senior in graphic design and advertising, Undergraduates submitting work to be judged for an art show in Richards Hall. January 31, 2018.

Karen Kunc, Research Annual Report story on her career, the new gallery and artwork at Cedar Point. Art at Cedar Point has a tie to the Rural Futures Institute. Kunc’s work is an example of using art to make a statement (in this case, it’s about water).

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Ordering Instructions

All photos are available to UNL departments at no charge. Email the titles of the photos to Craig Chandler or Monica Myers.

cchandler2@unl.edu
mmyers2@unl.edu

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