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Art

Artwork is diplayed on a table at Cedar Point Biological Station near Ogallala, Nebraska. July 19, 2021. Photo by Annie Albin / University Communication

210719 Cedar Point 502

Sarah Kaizar participated in the Cedar Point artist-in-residence program to complete illustrations for a book project. Cedar Point Biological Station near Ogallala, Nebraska. July 19, 2021. Photo by Annie Albin / University Communication.

210719 Cedar Point 311

Sarah Kaizar participated in the Cedar Point artist-in-residence program to complete illustrations for a book project. Cedar Point Biological Station near Ogallala, Nebraska. July 19, 2021. Photo by Annie Albin / University Communication.

210719 Cedar Point 307

Sarah Kaizar participated in the Cedar Point artist-in-residence program to complete illustrations for a book project. Her artwork is displayed on a table at Cedar Point Biological Station near Ogallala, Nebraska. July 19, 2021. Photo by Annie Albin / University Communication.

210719 Cedar Point 293

Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

210402 MFA Thesis Gallery 280

Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

210402 MFA Thesis Gallery 259

Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

210402 MFA Thesis Gallery 235

Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

210402 MFA Thesis Gallery 151

Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

210402 MFA Thesis Gallery 114

Terry Ratzlaff discusses his MFA work “Take Your Time” to instructors and fellow masters students. In his work, Ratzlaff deconstructs and analyzes modern perceptions of time, chaos, order and obsession. In “Take Your Time,” he photographically deconstructs three idiosyncratic characters: a collector of model trains, an accumulator who makes annotations of train activities, and himself—a mimetic assemblage of collectors and accumulators. Each character is represented in its own collection of photographs that visually collide and collude with each other. By coupling each of the characters, Ratzlaff analyzes how obsession organizes a collection with the intent to control the experience of time. MFA Thesis Exhibitions in the Eisentrager•Howard Gallery in Richards Hall. April 2, 2021. Photo by Craig Chandler / University Communication.

210402 MFA Thesis Gallery 071

Grain Elevators across from Nebraska Innovation Campus. December 5, 2018. Photo by Craig Chandler / University Communication.

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Emma Lichtenfeld, a freshman from Lincoln, works on a clay bust in Richards Hall. January 31, 2018. Photo by Craig Chandler / University Communication.

Abby Birkel carries her submission, Meat 2, into the exhibit hall to be judged for an undergraduate art show in Richards Hall. January 31, 2018. Photo by Craig Chandler / University Communication.

Lindsey Pinkerton, right, and Abby Birkel chat while waiting to check in their submissions to be judged for an undergraduate art show in Richards Hall. January 31, 2018. Photo by Craig Chandler / University Communication.

Larisa Epp has had the same backpack for all four years here at UNL and has decorated it during her time. Epp is a senior in graphic design and advertising, Undergraduates submitting work to be judged for an art show in Richards Hall. January 31, 2018.

Karen Kunc, Research Annual Report story on her career, the new gallery and artwork at Cedar Point. Art at Cedar Point has a tie to the Rural Futures Institute. Kunc’s work is an example of using art to make a statement (in this case, it’s about water).

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Karen Kunc, Research Annual Report story on her career, the new gallery and artwork at Cedar Point. Art at Cedar Point has a tie to the Rural Futures Institute. Kunc’s work is an example of using art to make a statement (in this case, it’s about water).

170609 Kunc 042

Karen Kunc, Research Annual Report story on her career, the new gallery and artwork at Cedar Point. Art at Cedar Point has a tie to the Rural Futures Institute. Kunc’s work is an example of using art to make a statement (in this case, it’s about water).

170609 Kunc 041

Karen Kunc, Research Annual Report story on her career, the new gallery and artwork at Cedar Point. Art at Cedar Point has a tie to the Rural Futures Institute. Kunc’s work is an example of using art to make a statement (in this case, it’s about water).

170609 Kunc 039

Karen Kunc, Research Annual Report story on her career, the new gallery and artwork at Cedar Point. Art at Cedar Point has a tie to the Rural Futures Institute. Kunc’s work is an example of using art to make a statement (in this case, it’s about water).

170609 Kunc 023c

Karen Kunc, Research Annual Report story on her career, the new gallery and artwork at Cedar Point. Art at Cedar Point has a tie to the Rural Futures Institute. Kunc’s work is an example of using art to make a statement (in this case, it’s about water).

170609 Kunc 004c

Allie Laing, a Greek member and a junior in Advertising and Public Relations and also Graphic Designer, created the artwork on the heart outside of her Alpha Omicron Pi sorority. The heart artwork is part of the Nebraska By Heart public artwork project of

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Allie Laing, a Greek member and a junior in Advertising and Public Relations and also Graphic Designer, created the artwork on the heart outside of her Alpha Omicron Pi sorority. The heart artwork is part of the Nebraska By Heart public artwork project of

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Nebraska Alumni (and one undergrad) who are part of the Heart Sculptures around Lincoln. This sculpture is done by Joni Sakurada Hotz, called A Kintsugi Heart, and is located by the Wick Alumni Center. May 8, 2017. Photo by Craig Chandler / University

170508 Heart 001

Ordering Instructions

All photos are available to UNL departments at no charge. Email the titles of the photos to Craig Chandler or Monica Myers.

cchandler2@unl.edu
mmyers2@unl.edu

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