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A student points to a work of art. Students in the Music for Non-Majors 171: Arts Alive at Nebraska
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course participate in a back-to-bac
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course gather in the lobby of the S
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course participate in a back-to-bac
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course participate in a back-to-bac
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course participate in a back-to-bac
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course gather in the lobby of the S
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course participate in a back-to-bac
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course participate in a back-to-bac
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course participate in a back-to-bac
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course exit through the lobby of th
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course climb the stairs to the Coll
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course participate in a back-to-bac
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Students in the Music for Non-Majors 171: Arts Alive at Nebraska course participate in a back-to-bac
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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Les Bruning, owner of Bruning Sculpture in Omaha, uses a brush to remove dust and debris from Ruben
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“Paper Boats” by Jacob Lawrence, hangs on display in the “Sheldon in Focus: Jacob Lawrence”
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Courtney Hillebrecht, right, makes a point while quizzing students about what they see in the Zia-ud
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Courtney Hillebrecht’s POLS 160: International Relations. Professors using the Sheldon Museum of A
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Courtney Hillebrecht’s POLS 160: International Relations. Professors using the Sheldon Museum of A
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Courtney Hillebrecht’s POLS 160: International Relations. Professors using the Sheldon Museum of A
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Sheldon student ambassador Sloan Lammers talks about the Unprecedented: Art in Times of Crisis exhib
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Courtney Hillebrecht, right, listens as, from left, Alex Halvorsen, Jada Sems and Josie Lahm discuss
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Courtney Hillebrecht’s POLS 160: International Relations. Professors using the Sheldon Museum of A
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Sheldon student ambassador Sloan Lammers talks about the Unprecedented: Art in Times of Crisis exhib
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Katie Anania talks with students as they study in the in the Unprecedented: Art in Times of Crisis e
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Katie Anania talks with students as they study in the in the Unprecedented: Art in Times of Crisis e
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Katie Anania discusses the exhibit’s artwork as her AHIS 381: Visualizing Crisis class tours the S
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Katie Anania talks with students as they study in the in the Unprecedented: Art in Times of Crisis e
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Katie Anania talks with Sofie Curto as they study in the in the Unprecedented: Art in Times of Crisi
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Katie Anania’s AHIS 381: Visualizing Crisis. Professors using the Sheldon Museum of Art as part of
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Katie Anania talks with students as they study in the in the Unprecedented: Art in Times of Crisis e
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Katie Anania talks with Bella Galindo as they study in the in the Unprecedented: Art in Times of Cri
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Big head, little body. Rob Jensen of Jensen Conservation of Omaha lays behind the Fallen Dreamer scu
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Natalie Yates (right), Associate Registrar for Collections and Exhibitions, and on-call exhibition t
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Delan Lonowski, an on-call exhibition technician for the Sheldon Museum of Art, fits one of the smal
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